This calm shatters with the arrival of No-Face, a mysterious spirit who shows where the film’s most serious threat really lies: not in any particular character, but in the greed many of them share. The next time we hear the theme, Chihiro’s close friend Haku is by her side - and instead of unraveling into jumpy chaos, the piano returns for a peaceful solo as sunlight streams into the room where Chihiro has fallen asleep. This initial strand of music, which conveys the unpredictable turmoil of growing up, establishes Hisaishi's score as essential to the development of Miyazaki’s themes.įittingly, each subsequent appearance of the melody from “One Summer’s Day” highlights how Chihiro overcomes obstacles with others’ kindness and support. After her parents take a wrong turn, the tempo takes off along with the car, making jolts of brass and percussion feel like bumps in the road. Synths and strings swirl around a piano line whose measured cadence seems indifferent to Chihiro’s petulant complaints. One such composition is the opening theme “One Summer’s Day,” which first plays as ten-year-old protagonist Chihiro Ogino clutches a bouquet of flowers during the drive to her new home.
Immediately recognizable to audiences all over the world, Hisaishi's musical signatures bring a sense of cohesion and familiarity to director Hayao Miyazaki's otherworldly vision by creating their own kind of magic. Joe Hisaishi’s soundtrack has stood the test of time, and features memorable leitmotifs that pair with the film's themes of courage and friendship.
In the 20 years since the release of “Spirited Away,” the film has remained beloved by fans not only for its delightful animation, but its unforgettable score.
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